Hands of the Imposter
Textile installation with soundscape by Anders Filtenborg
This installation consist of a main textile piece with a soundscape and smaller works in ceremics, textiles and prints. It was made during a 11 month residency at Fresh A.I.R Urban Nation, with financial support by Stiftung Berliner Leben.
Hands of the imposter focuses on the dark thoughts we can have of not being good enough or succesful. It’s a reminder to not listen to the dark voices in your head but instead look back and reflect on what we have already accomplished, not to knock ourselves down but instead to celebrate how far we have come.
Photos by: Ludger Paffrath, Diana Paun & aritist own photos
Textile installation with soundscape by Anders Filtenborg
This installation consist of a main textile piece with a soundscape and smaller works in ceremics, textiles and prints. It was made during a 11 month residency at Fresh A.I.R Urban Nation, with financial support by Stiftung Berliner Leben.
Hands of the imposter focuses on the dark thoughts we can have of not being good enough or succesful. It’s a reminder to not listen to the dark voices in your head but instead look back and reflect on what we have already accomplished, not to knock ourselves down but instead to celebrate how far we have come.
Photos by: Ludger Paffrath, Diana Paun & aritist own photos
The Bathroom//Water In Motion
Textile installation and performance
2023
Master project
installation: cotton, polyester, wood, 170x210 cm Cotumes: wool, organza, mesh, trimming
Textile installation and performance
2023
Master project
installation: cotton, polyester, wood, 170x210 cm Cotumes: wool, organza, mesh, trimming
Shepherd’s Bridge
Wool Installation
2023
Commision by Oslo National Museum of Arts , co-created with Lydia May Hann in collaboration with Connecting Wool research project.
All raw wool is donated by Norilia and carted waste wool by Oslo microspinneri
Wool, silk, metal, 45x200cm
Wool Installation
2023
Commision by Oslo National Museum of Arts , co-created with Lydia May Hann in collaboration with Connecting Wool research project.
All raw wool is donated by Norilia and carted waste wool by Oslo microspinneri
Wool, silk, metal, 45x200cm
Sketch by Lydia May HannText by Lydia May Hann:
“Shepherd's Bridge is a sensorial love letter wool, to mountain paths, and to getting soil under your nails in pursuit of art. We created the piece to confront the beauty that is ignored for being too dirty, too rough, and too difficult and through collective effort elevate it to something effortless. The emotional drive behind Shepherd's Bridge was connection. Connection to the animal, the land, and connection to the many hands which lent their effort to its creation. Shepherd's Bridge connects the shepherd to the shearer to us in service of the galaxy of grey on the sheep's back.
Shepherd's Bridge is 20 meters of felted raw Norwegian fleece. The piece was wet felted by hand (and foot). Dozens of unprocessed fleeces were sorted by colour and texture and brought together into a continuous fleece which retains the vegetation, mud and musk of the sheep in its curls. The work is strengthened with a silk co re and contains the remains of washi paper messages from our visit to Japan which partly inspired the work. The steel fixtures were made by Kevin Axelsson to our specifications.”
“Shepherd's Bridge is a sensorial love letter wool, to mountain paths, and to getting soil under your nails in pursuit of art. We created the piece to confront the beauty that is ignored for being too dirty, too rough, and too difficult and through collective effort elevate it to something effortless. The emotional drive behind Shepherd's Bridge was connection. Connection to the animal, the land, and connection to the many hands which lent their effort to its creation. Shepherd's Bridge connects the shepherd to the shearer to us in service of the galaxy of grey on the sheep's back.
Shepherd's Bridge is 20 meters of felted raw Norwegian fleece. The piece was wet felted by hand (and foot). Dozens of unprocessed fleeces were sorted by colour and texture and brought together into a continuous fleece which retains the vegetation, mud and musk of the sheep in its curls. The work is strengthened with a silk co re and contains the remains of washi paper messages from our visit to Japan which partly inspired the work. The steel fixtures were made by Kevin Axelsson to our specifications.”
Link to video by National museum from setting up the work HERE
Axiom
immersive Installation
2022
Enter axiom and find yourself in a immersive, living, pulsating and breathing textile installation.
Wood, mixed fiber and textiles, LED lights, sound,
immersive Installation
2022
Enter axiom and find yourself in a immersive, living, pulsating and breathing textile installation.
Wood, mixed fiber and textiles, LED lights, sound,
Exhibited at Collective Illusion Festival Photos by: Yaniv Cohen
Exhibited at Prague Quadrennial 2023 Photos by: Michal Hancovsky and jakub Cervenka
Museum of Memories
Installation
2022
Trash or treasure? The emotional connection to each items gives it a story and a soul, however since the items can’t speak, each items has a different meaning or story for the individual viewer. This is a visual representation of a theoretical term I developed called “emotional sustainability.
Wood, mixed found/made/stolen/gifted objects, 90x90 cm
Installation
2022
Trash or treasure? The emotional connection to each items gives it a story and a soul, however since the items can’t speak, each items has a different meaning or story for the individual viewer. This is a visual representation of a theoretical term I developed called “emotional sustainability.
Wood, mixed found/made/stolen/gifted objects, 90x90 cm
